********************************** ROUND 9: SAN FRANCISCO
Thursday, OCT. 14TH – 7 P.M.
SPARRING W/ BEATNIK GHOSTS
RETURNS TO THE BEAT MUSEUM
540 Broadway – North Beach
Guest Host…Ginger Murray
David Meltzer
Ellyn Maybe & Her Band
Steve Arntson
Jerry Ferraz
Martin Hickle
Richard Loranger
Whitman McGowan
Julie Rogers
Margery Snyder
Chris Vannoy
**********************************
ROUND 10: BERKELEY
Friday, OCT. 15th – 7 p.m.
SPARRING WITH BEATNIK GHOSTS
@ ART HOUSE GALLERY
& CULTURAL CENTER
2905 Shattuck – at Ashby
Guest Host…Mark States
Ellyn Maybe & Her Band
J.R. Brady
Tim Donnely
Q. R. Hand
Mike The Poet
H.D. Moe
A. M. Stanley
Plus: Mystery Poets (To Be Announced)
****************************************
ROUND 11: SANTA CRUZ
Saturday, OCT. 16th – 7 p.m.
SPARRING WITH BEATNIK GHOSTS
REVISITS FELIX KULPA GALLERY
107 Elm Street – Downtown Santa Cruz
Guest Host…Marc Kockinos
Gary Young, Santa Cruz Poet Laureate
Ellyn Maybe & Her Band
Dennis Holt
Debbie Kirk
Ron Lampi
Erik Lawson
B.C. Petrakos
William Taylor, Jr.
Mel C. Thompson
Plus Mystery Guest
Last.FM Bio: Of Ellyn Maybe’s new poetry/music CD, Rodeo for the Sheepish, the legendary rock critic Greil Marcus wrote, “I heard half of the long, quietly mesmerizing “City Streets” on the radio—what was this? A woman with a poem, with music and a sung chorus not behind her but circling her, and the poem neither exactly recited nor sung, but spoken with such a lilt, in a voice so full of miserabilist pride—at forty, a woman is still getting high-school insults tossed at her (“Hey Mars girl,” a man shouts on the street, “get off the Earth”)—that it’s music in and of itself. There is no bottom to Maybe’s inventiveness, to her adoption of Nirvana’s Oh well whatever never mind as an artistic tool, to a confidence that allows her to toss off a bedrock statement on the American character (“There are people / who know the cuckoo is the state bird / of most states of mind”) in a throwaway voice so that its humor hits you not as a joke but as an echo. There is nothing like this album except for the real life it maps.”
Author of eight books of poetry but even better known for her engagaging personality and performances, Ellyn was convinced by fans from the music world to adapt her spoken-word prowress to a musical format. Their delight at the results can be seen from a few typical reactions:
Jackson Browne – “I have started to write something about you…several times, and each time I am struck by my inability to describe what you do in terms beautiful enough, original enough to do you justice. … Who has ever been able to say in other words what a song says? Maybe it’s why I like your poems so much; they say what can only be said in exactly the way you say it. The best way of turning someone on to you is to play you for them.”
Henry Rollins – “Ellyn Maybe is an irresistible force. To…listen to her poetry is to be gently and completely crushed while simultaneously inspired and charmed. The honesty with which she so exquisitely reveals her vulnerabilities, desires and pain is beautiful and rare. … Reading Ellyn’s poems from the page is one thing but hearing…them just the way she meant them to be heard is something else altogether. … The musical accompaniment on the album is not mere background filler but a true collaborative effort between Ellyn and the musicians that really works.
I have started to write something about you for your site several times, and each time I am struck by my inability to describe what you do in terms beautiful enough, original enough to do you justice. But it’s always been this way. Who has ever been able to say in other words what a song says? Maybe it’s why I like your poems so much, they say what can only be said in exactly the way you say it. The best way of turning someone on to you is to play you for them. – Jackson Browne
My initial thought was to decline an invitation to comment on these 49 spoken word tracks. As an associate producer at Hen House Studios, during the gestation period of this recorded document, there might have been some danger that the subjective nature of my prose would take on the PR complexion of a pinch of low grade salt. That being said, however, as someone who studied the important facets of the creative process with Kenneth Rexroth, Kenneth Patchen and, later, with the poet and translator Jack Hirschman at UCLA, I have better chance of identifying with what’s concerned the Robert Peters compendium of five decades of literary contributions than, perhaps, most anyone. And I/m really talking about gifts which comprise his prolific catalogue, and how his many works have been assimilated into realms of the World Culture.
One has only to listen to Peters, on tracks like Father, Son, Cousin, Country-Western Band or Home-Made Saw-Rig. With a combination of rhapsody and lament he invites us to experience the rural landscapes, as well as the interior terrain of the years of his Wisconsin youth. Then, as with cuts like Memory Loss In A Parkinglot, we’re hearing him go onward, into an undeniable poetic maturity. It should be noted that executive producer Harlan Steinberger is responsible for the competently composed, engaging and thoroughly complimentary musical backdrop.
As a hyphenated American poet-playwright- essayist-critical analyst, Peters has been continuously, acknowledged as an author of evocative, imperious perceptions, generally, involved with the whole of international literature. (more…)
Sparring With Beatnik Ghosts is a “traveling poetry supershow” of spoken-word performers and musicians that started in San Francisco in 2008 and is finally making its debut in L.A. The series presents adventurous modern-day poets in bars and venues where the early Beat poets used to hang out, in the hopes that the lingering spirits of the elders will inspire their progeny’s new work. Given its long history as a SoCal literary vortex, Beyond Baroque seems to be an ideal setting for “tapping the mystic voices and drumming the Beat haunts from their tombs in Los Angeles.” This seventh edition of the series features the longtime local poet Ellyn Maybe, appearing with a band (!), and veteran wordsmith Michael C. Ford, whose “arsenal of commando language” blows apart every last standing irrational political pie-ball cowboy who continually threatens National Nirvana.” Meanwhile, former Ringling Sister Iris Berry (Two Blocks East of Vine, pictured) leavens her tales of heroin misadventures and gangster boyfriends with a punk rock perspective and gallows humor. The show also includes Jim Bolt, Mike the Poet, Rachel Kann, Brenda Petrakos, Gary Justice, host Mani Suri and special guests known only as the Mystery Poets. (Link to LA Weekly Events)
“Fans of spoken word CDs and lovers of slam poetry with a nerd-girl edge should seek this CD out as soon as they finish reading this review, as should anyone curious to see the highs to which this blended art form can aspire. I cannot recommend Rodeo for the Sheepish enough.” – JoSelle Vanderhooft for Pedestal Magazine
///This video was a contribution to Ellyns online zine http://www.rodeowrite.com/ please visit and contribute your own work to the Rodeo!
“A new DVD released by Hen House Studios in Venice, California. Curated by Michael C Ford, the DVD is a feast of memories of poets, their friends and two members of the Rexroth family who also read from the works of Kenneth Rexroth. The passion and feelings of the poet are mirrored through the voices of the participants. Several of them gave credit to Kenneth as a personal mentor. His widow, Carol Tinker, and his daughter, Mariana Rexroth, a spark of fire off the old genius in her performance, was there. Michael C Ford did a marvelous job hosting this fast-moving, entertaining and engaging program. The program is a panorama of a passing scene of poets and memories that would have been lost had this wonderful high quality DVD not been produced. Our thanks to Hen House Studios and Michael C Ford for its production.
The DVD features Morgan Gibson, Kerry Tomlinson, Lewis MacAdams, Philomene Long, Eloise Klein Healy, Aram Saroyan, Bonnie Tamblyn, Sprague Grayden, Bob Brandts, James Cushing, Doren Robbins, Uri Hertz, Ruben Guevara, Carol Tinker, Brad Dourif, Mariana Rexroth and Michael C Ford.”
The new organic café, “On Spring,” celebrates its grand opening this Saturday, June 5th, 2010 at Los Angeles State Historic Park. “On Spring” occupies the location formerly known as “Sam’s Lunch,” a 1950’s hamburger stand that was frequented by hungry rail workers from the Southern Pacific Freight Yard.
In place of burgers, “On Spring,” will feature fair trade coffee, specialty baked goods, and a selection of local gourmet groceries as well as fresh fare prepared with locally grown produce. Collard greens, kale, cucumbers, tomatoes, and peppers are but a sampling of the colorful array of ingredients making up On Spring’s innovative approach to organic cuisine.
“On Spring” celebrates between 12:00 pm and 7:00 pm this coming Saturday with great food, beverages, seedlings for its grow bins, yoga in English and Spanish and an array of musical talent provided by Hen House Studios, a local label out of Venice Beach California. Performaces begin at 2:00 by Baba Alade, poet Ellyn Maybe and her Band, and Trevy Felix of Boom Shaka. Future plans for “On Spring” include permaculture classes, gardening workshops, environmental education, events and film screenings.
In all endeavors, “On Spring” strives to implement solutions to address the challenge of sustainability in the urban environment as well as explore the interrelated disciplines of cuisine, agriculture, architecture, and renewable energy. Los Angeles based social entrepreneurship Urban Green is the creative force behind “On Spring” and is committed to serving conscientious consumers and promoting green space in the urban environment.
